
"A woman must have [] a room of her own if she is to write fiction."
Picture taken in Marrakech, Nov 2024, Silk Road Slippers writer's masterclass
Picture taken in Marrakech, Nov 2024, Silk Road Slippers writer's masterclass
Whilst submitting a novel set in war-torn Syria, I am writing a historical novel that alternates between the 1900s and 1950s Bengal and Britain, both times of social and political upheaval. exploring gender and belonging from a female perspective. Inspiration came from my grandmother’s life: married at 13, only to find she was the second wife, her sole purpose to provide an heir. Uxoricide was common then and still happens today. Being an active member of the UK Tagore Society, his life and work are also inspirations, particularly the play Chitra about female gender inequality. I am also a long-term supporter of MSF and Amnesty International and raised over £2000 pounds for War Child last year.
My life is filled with far greater choice than my mother’s or grandmothers’, but the world is changing, and women again face challenges like access to education. Writing about the past, feels ever more pertinent today. I want to capture these stories in a nuanced way and through publishing, spread them to a wider global audience.
Above, is a photo taken of my mother, soon after she was married, but before she came to England. She has been the greatest influence of my life. From insisting a girl needs as good an education as any boy, to encouraging me to always have my own source of income. Memories of sitting watching Bollywood films with my parents, raiding the school library, is where my addiction to books began. As a result, my writing is an amalgamation of East meets West.
Born in Bangladesh, I came to London as child with my parents, and have straddled two cultures ever since. It is the common links between them that fascinates me. Studying the Bengal famines and post-partition genocide, I cannot help feeling guilt at having been spared the collective suffering of my people, parents, and grandparents. Writing is my way of making sense of this.
My passion for books led me to writing; I am a Faber Academy alumna, class of 2016/17 with Richard Skinner (award winning author) as mentor.
A week-long writing bootcamp in Marrakech, this transformed my writing practice, unlocking new skills. Taught by Alexandra Pringle; publisher, editor, and literary agent. Alex von Tunzelmann; historian, broadcaster, and screen writer; and Faiza Khan, editor, mentor and literary consultant. With the luminous writer Kamila Shamsie in residence, it was an experience like no other.
Celebrate every small step that takes you nearer to your goal. Finishing that first chapter, the first draft. Enter prizes.
My writing has been long listed for the Bath Novel Award 2022 and won the Cornerstones PWA prize 2022.
I am lucky to have met so many wonderful writers who have helped me on my writing journey. Attend conferences like Jericho Writers, The Women's Prize, and courses, to meet your beta readers,. Give and take feedback. Then edit and polish your manuscript to the best it can be. Curtis Brown Creative run online courses for this. Do all the groundwork before submitting to agents, and good luck.
ARABLIT QUARTERLY magazine April 2025 Issue. A letter on GRIEF.
The Birdkeeper. Published under I.A. Festing.
When two Siberian cranes return to breed at Naagpur - a bird sanctuary in Rajasthan - their presence stirs bittersweet memories for Sachin Rai.
Verified reviews:
5 star on Amazon and Goodreads.
"Atmospheric and touching" R G
"Had me hooked" B L Mills
"Explores conflict between family expectations and self-discovery in India" A. Rawlinson
Get to know Issy Mahmoud, a passionate writer dedicated to creating captivating literature. With a background in creative writing and a love for storytelling, Issy invites you to explore her journey as an author. Discover her inspirations, challenges, and the unique experiences that shape her writing. Contact me to discuss all things books.
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London UK